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REVIEW: by Sharif Gemie |
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Production Management:
François-Xavier Decraene (production manager), Philippe Morlier (unit manager)
Production Design: Olivier Seiler
Assistant Director:
Sophie Berger Forestier (second assistant director), Brieuc Vanderswalm (second assistant director), Jérôme Zajdermann (first assistant director)
Art Department:
Philippe Bonnard (property master), Antoine Galinié (property master), Pascal Peignet (assistant art director)
Costume Design:
Adélaïde Gosselin, Mimi Lempicka
Makeup Department:
Véronique Boitout (key hair stylist), John Nollet (key hair stylist), Sophie Pré (makeup artist), Agnès Tassel (key makeup artist), Françoise Tolila (makeup artist), Estelle Toustoukine (hair stylist)
Sound Department:
Michel Brethez (sound), Philippe Escanecrabe (sound mixer), Patrice Grisolet (sound editor), Joël Rangon (sound mixer)
Other crew:
Olivia Bruynoghe (script supervisor), Laurent Didier (assistant camera)
Review:
Blanche
by Sharif Gemie, University of Glamorgan
The plot: the film starts with a bloody, graphic portrayal of repression of Protestants. A very young girl survives a bloodbath. The film is very loosely the story of her revenge.
It has very little sense of history, but plenty of fight scenes. There is a caricatural portrayal of Louis XIV: quite funny. A bit about sexual / moral corruption at court, but all done in a knock-about way.
Perhaps, culturally, the most interesting aspect of the film is the decision to make use of `Western' cliches - bar-room fights, shoot-outs, acoustic bottleneck blues - to depict 17th century conflicts.
Antoine de Caunes does his best to act, but his efforts are wasted.
But, overall, this is a very simple action film: little plot, little historical awareness, lots of violence, some of it quite graphic - really nothing that one could use for students.
A clear fail.